Among the works missing from Elizabeth Poston’s archive of music that was left at Rooks Nest House, after she died in 1987, was her Concertino da Camera on a Theme of Martin Peerson, written for early instruments in 1957 and based on a transcription by her friend, Marylin Wailes; all that could be found among her papers was a single MS title-page. The work, described by a critic as new wine poured successfully into old bottles, had been dedicated to Marylin and her London Consort of ancient instruments.
Elizabeth thought that Marylin’s copy of her music was the only one in existence when, in August 1985, she asked for its return in order to add it to her ‘National Archive’, explaining, ‘I am trying very hard to put together writing I count of any value & leave it tidily while I am still alive & not forgetting or gaga!’ There is no evidence that the music was actually returned before Elizabeth died but a copy (perhaps Marylin’s) did, at some time, get into the possession of Faber Music and, in January 1968, was passed on to David Munrow, the well-known enthusiast for early music and ancient musical instruments. After Munrow’s untimely death in 1976 that copy was given by his widow to the virtuoso recorder player, John Turner. He, finally, with the kind permission of the copyright-holder, Simon Campion, has now had it published by Peacock Press, (PJT 201) and a copy has been safely deposited at the British Library with the rest of Elizabeth’s extant manuscripts. He has also recorded the work on the Prima Facie label (PFCD 005) with Richard Simpson (oboe d’amore), Richard Tunniclife (viola d’amore) and Ian Thompson (harpsichord).
The piece has the unique position of being the particular one Elizabeth chose when asked to lecture on the subject of composition; now that the music has been found and printed we can follow more clearly what she described with such enthusiasm.
This year marks 50 years since the decriminalisation of homosexuality in this country and the anniversary has been celebrated widely in the media and in the gay community. We cannot let this pass without wondering what difference this would have made to E M Forster's life and work.
Forced to conceal his sexuality in his conventional, middle-class family and judgmental society, his literary expression may also have been repressed. ‘Maurice’, his only attempt to write about same sex love, was written in 1914 but only published posthumously, in 1971. Apparently this was his wish.
Said to be modest and retiring by nature, he would not have wanted to upset or even outrage; he evidently lacked the audacity of the Bloomsbury circle with whom he was friendly or maybe was more philosophical about his situation.
His last novel ‘A Passage to India’ was published in 1924, when he was 45, and for the rest of his life - he died aged 92 in 1970 - he produced non-fiction and made broadcasts. He maintained a high reputation, was nicknamed the ‘holy man of letters’, but despite this was not awarded a Nobel Prize for Literature. Perhaps he would have been had his imagination not been fettered by the law of the land. What did he think when it was reformed three years before he died? Did he even care?
- Written by Angela Hepworth
- Written by joomlasupport
The writer Edward Morgan Forster lived at Rooks Nest House from 1883 to 1893, from the ages of 4 to 14. In later life he returned there often, as the guest of composer Elizabeth Poston.
His novel Howards End was inspired by his childhood home and its surrounding countryside. Forster’s writing is studied in schools, colleges and universities throughout the world. His work is concerned with themes that are still current today, including:-
- human relationships,
- conflicts of loyalty
- the need for connection between apparent opposites such as commerce and culture, poetry and prose,
He is constantly quoted in newspapers and has the distinction that one of his short stories is available in full on the Internet.
- Written by M.M. Ashby
'I was brought up as a boy ....... in a district which I still think the loveliest in England'.These were E M Forster’s nostalgic sentiments in 1946, broadcast on radio when participating in the first campaign to save the countryside around his old childhood home from development..
- Written by Amanda Hodges